Don't cross the tracks before..shiny shoes :Thu 22 Jun 2006

Don't cross the tracks before..shiny shoes :Thu 22 Jun 2006

Unread postby lazerzap » Wed Jan 19, 2011 5:09 am

Thu 22 Jun 2006 : Don't cross the tracks before putting on your shiny shoes

Do you need a witness?
I am a witness.

Do you need a lawyer?
My father is a lawyer.

The state does what it can get away with.

The state does what we let it get away with.

The state does what we let ourselves get away with, for we, in our
interaction with others, form the state.

The bureaucratat knows the average man, and especially men of the
underclass are victims in waiting. The force of their action is in
inverse proportion to the perception that the victim's father may be an
influential lawyer or have contacts in the political classes that
control them.

The anonymisation of peoples through high population density strips
state victims of retributive power; in small communities, "you beat my
son" is soon followed by "your cousin shall not marry my daughter". The
anonymous megaloposis denies this kind of retribution.

Additional freedom is granted alone to the trikster, who through
adopting the manner and dress of the establishment may fool the agents
of the state into deference.

In full circle, every so often a member of the establishment, foolish
enough to believe that power was within, puts on their bathers, or their
sweat suit and becomes a victim. The grunts protest... "we didn't think
you were the man; you weren't dressed right. it's not our fault. you
must play by the rules.".

From Tiki Swain:

On the scene - 1818, Wednesday 21 June 2006

As I walk out onto the platform at Newport Train Station, I hear a
woman's voice, upset but calming. She's telling someone to let them do
it, it'll be OK. I look over to the far platform, across two sets of
tracks. In the open-front waiting room a man is seated on the bench
having his arm twisted up over his shoulder and behind his back by two
other men. He's resisting. The two men handling him are nondescript, in
casual clothing - both beefy, both in clothes that show wear and use,
but that's all they have in common visually. The woman speaking stands
outside, pacing back and forth, talking constantly. "Love, it's all
right. We'll work it out. It'll be ok. I don't know who they are. They
haven't told us anything. It'll be OK, just let them handcuff you. They
just want to ask you some questions. Just stay calm."

Sure enough, the two men have somehow produced handcuffs from somewhere.
They now have the first man facing the wall, held down, and are trying
to handcuff his hands behind his back. A second woman stands outside,
looking down the platform, glancing in every so often, talking steadily
and inaudibly into a walkietalkie. She is also carrying no identifying
marks or badges, wearing nondescript casual clothing - flared boot-
topper jeans, a jacket with some random brand slogan. There is nothing
to show that she has any association with the men other than her
proximity and her walkietalkie - not a normal civilian carry item.

"It'll be OK. Just let them do it. I don't know who they are. They're
just going to find out what you know. It can't be much, maybe a $500
fine. You haven't done anything illegal or broken the law or anything.
They'll take you down to the station. It'll take only two hours or so.
Just two hours, and we'll come and get you. It's OK, we'll come and get
you. Just sit down now."

I wonder to myself how she knows how long a station visit takes, and how
she knows they're going to "a station" if she still doesn't know who
they are. I wonder if she comprehends the various levels of law involved
in the conflicting statements "you haven't broken the law" and "only a
$500 fine". I wonder what happened in the sixty seconds before I walked
through the platform door.

She asides (at the same volume) to the other woman "I'm just trying to
keep him calm". Her voice is not angry, not shrill - but definitely
upset and slightly panicky. She knows she doesn't know what's happening,
and that none of the three are saying anything to her or giving any
explanation. Inside the waiting room they've now moved to the other
wall, and are now holding the man out of my sight. She looks back in at
them and starts quickly saying "Give him some fresh air! You've got to
let him come outside! He needs fresh air!". She gestures frantically but
frustratedly with her arms, waving her lit cigarette across the entrance
as she does so.

It seems a pointless thing to say - they don't appear to be taking any
notice of her as long as she's not hindering them. But then the two men
bring out the first, handcuffed. He doesn't walk well. "What did you hit
him with? Was it mace?" she says. "Was it pepper spray? Why did you have
to do that? You didn't need to do that!" The two men lead the third into
the male toilets, out of sight. The woman follows them partway, then
comes back out, sobbing. "That's police brutality! All he did was jump
onto the tracks!" She's making no attempt to be soothing now that she's
not in front of them, letting her upset fully show, and it's not clear
who she's talking to. Perhaps just all of us watching silently on both
platforms. Walkie-talkie woman holds in place, walking a few steps up
and down the platform, keeping the device horizontal to her ear and
mouth, talking steadily, not watching the men.

The upset woman dashes into the waiting room, to a corner out of sight,
and comes out carrying a collection of bags and bits, their gear. She
calls out to her partner in that same calming voice again "It'll be OK.
I'll find out where they're taking you and we'll get you." She
approaches the woman and says in the same clear medium volume as
everything else she's said: "Excuse me, where are you taking him? I need
to know because I need to ring his dad and tell him, he was going to
pick us up at the station." The walkietalkie woman looks past her, eyes
on space and ears on the walkie talkie. The first woman comes closer.
"Excuse me, lady, I need to talk to you. Please." She says it calmly and
straightforwardly, with no rudeness or aggression. She is ignored. She
repeats herself, and continues to be ignored. Walkietalkie woman is
following one of the simple rules of enforcing submission - do not
engage. Do not give any action, speech or emotion power by acknowledging
it exists. Do not act in any way which encourages them to think they can
make a difference to your actions.

It works. The first woman returns to her stuff, obviously waiting for a
chance to speak with anyone. She intersperses her fretful pacing and
cigarette waving with random callings out to her partner. "It'll be OK."
"They'll just take you to the station." "It won't take long." One of
the men returns from the toilets, carrying an open notebook, and asks
her if she has any ID. She says "No, but my partner does." The two of
them begin speaking more quietly. I overhear a lone phrase - "We were
running to try and catch the train...". She goes into the toilets with
him, and almost immediately dashes out again and grabs a lone shoe from
the pile of stuff. "It's OK, love, I've got your shoe. Here's your
shoe." She goes in again. The only one left visible is walkietalkie
woman, listening intently to the far away voices. She begins to speak
again, but puts an arm over her lower face, hiding her mouth.

The Flinders St train pulls in in front of me, and I don't/can't see any
more. Instead I catch the train onwards, wondering. Wondering if I'd
feel trusting if I was being manhandled by two of three unmarked
unknowns. Wondering at the logic of "let them put the handcuffs on you"
combined with "We don't know who they are". Wondering what he did to
elicit this response.

I think about the people on the platforms, who in their behaviour assume
that everything is meant to happen this way, this is all orderly and
expected, who assume that these three unknowns are official and that
they are responding to a fellow passenger this way because he did
something that deserved it.

And I think about the woman most of all. I wonder at the trust in our
society that she's displaying by assuming he is being taken to a
station, or is it hope? and her assuming that a station visit is
something he will return from, unharmed, in a relatively short time. I
consider the luxury of living in a society where people can make those
assumptions, have those hopes. I wonder at her implicit belief in voice,
in wording and in behaviour that playing the system and supporting it
fully is the best method for survival, even when she's not sure which
bit of the system they've fallen afoul of. Sort of an adult version of
the child's belief in the sanctity of goodness - that bad things will
not happen to you if you are good. I note that she never spoke angrily
or aggressively to any of the three unknowns, or even unleashed the full
extent of her feelings at them. And I wonder at this apparent
belief/behaviour that intelligent reason will bring them through,
eventually. I wonder at this latter because it's such a great belief of
our society, yet I've never considered it true by fact, only true by
mutual agreement. It only lasts until someone disagrees.
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